+Crossing Thresholds: 45th Parallel by Lawrence Abu Hamdan
By Sarah Sarofim
+Quantifying Sakoon with Tazeen Qayyum
By Ignazio Colt Nicastro
+Tough Conversations: (un)happy objects at Artcite Inc.
By Adi Berardini
+Outdoor School Edited by Diane Borsato and Amish Morrell
By Ashley Culver
+Can’t Buy Me Love: Review of Sara Cwynar’s Source
By Madeline Bogoch
+The Possibility of Existence by Shigeru Onishi
By Nona Chen
+Glitch Feminism by Legacy Russell
By Pauline Nguyen
+Mother, Earth, Air: Yulia Pinkusevich and Sakha Aesthesis at MPAC
By Mia Morettini
+The Affect of Social Intimacy: Mélanie Matranga’s 0,1,2,3,4
By Sophia Arnold
+Anique Jordan’s Nowing: A Political History of the Present
By Danielle Taschereau Mamers
+BLOOMDOOMROOM: Face to face with the slow apocalypse
By Angel Callander
+Of Colour by Katherine Agyemaa Agard
By Margaryta Golovchenko
+Migueltzinta C. Solís’s “The Gay Villain Rides Again”
By Lauren Gabrielle Fournier
+Jess MacCormack’s SHAME SHAME, Go Away Illustrates the Invisible
By Rebecca Casalino
+The Unexpected Subject: 1978 Art and Feminism in Italy
By Gabrielle Moser
+The Power is in the Black Gaze: Out of Many
By Nya Lewis
+Mes Beaux Enfants et Autres Anamolies by Montserrat Duran Muntadas
By Vania Djelani
+Queer Identities at I.C. Contemporary
By Rebecca Casalino
+Impenetrable Intimacies: the body as a fever dream
By Dana Snow
+The Shrugging Lady Emoji and Russna Kaur’s Abstractions
By Ada Dragomir
+Celebrating the Work: Marlene Yuen at grunt gallery
By EA Douglas
