The Potentiality of the Returned Gaze: proximity, pleasure, plasticity: looking at performance at Dazibao

By Maria Isabel Martinez

+Velvet Terrorism: A Story By Pussy Riot’s Russia

By Irene Bernardi

+Stephanie Comilang and Simon Speiser’s Piña, Why is the Sky Blue?

By Mitsuko Noguchi

+kind renderings: Rendezvous with Madness Festival

By Aysia Tse

158 RWM 20221029

+(Un)familiar Resemblances: Circularity of (Un)knowing at Mayten’s Projects

By Dana Snow


+Sweet Decay: in and as an ecosystem by Shannon Taylor-Jones

By Reilly Knowles


+No Soy El Sol Que Quema: The Sun and Queer Dreaming

By Adi Berardini


+Seeds and Dyes: Queer Tamil Lineages of Art in Scarborough

By Vasuki Shanmuganathan

TS1 (1)

+Crossing Thresholds: 45th Parallel by Lawrence Abu Hamdan

By Sarah Sarofim

Installation5_45th Parallel

+Quantifying Sakoon with Tazeen Qayyum

By Ignazio Colt Nicastro

+Tough Conversations: (un)happy objects at Artcite Inc.

By Adi Berardini

+Outdoor School Edited by Diane Borsato and Amish Morrell

By Ashley Culver

+Can’t Buy Me Love: Review of Sara Cwynar’s Source

By Madeline Bogoch

1_Remai_SaraCwynar_02 original

+The Possibility of Existence by Shigeru Onishi

By Nona Chen

08 The Flicker Phase 1950 C Shigeru onishi courtesy of MEM Tokyo

+Glitch Feminism by Legacy Russell

By Pauline Nguyen

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