Reviews

+Crossing Thresholds: 45th Parallel by Lawrence Abu Hamdan

By Sarah Sarofim

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+Quantifying Sakoon with Tazeen Qayyum

By Ignazio Colt Nicastro

+Tough Conversations: (un)happy objects at Artcite Inc.

By Adi Berardini

+Outdoor School Edited by Diane Borsato and Amish Morrell

By Ashley Culver

+Can’t Buy Me Love: Review of Sara Cwynar’s Source

By Madeline Bogoch

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+The Possibility of Existence by Shigeru Onishi

By Nona Chen

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+Glitch Feminism by Legacy Russell

By Pauline Nguyen

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+Mother, Earth, Air: Yulia Pinkusevich and Sakha Aesthesis at MPAC

By Mia Morettini

Sakha Aesthesis Install 1

+The Affect of Social Intimacy: Mélanie Matranga’s 0,1,2,3,4

By Sophia Arnold

+Anique Jordan’s Nowing: A Political History of the Present

By Danielle Taschereau Mamers

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+BLOOMDOOMROOM: Face to face with the slow apocalypse

By Angel Callander

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+Of Colour by Katherine Agyemaa Agard

By Margaryta Golovchenko

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+Migueltzinta C. Solís’s “The Gay Villain Rides Again”

By Lauren Gabrielle Fournier

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+Jess MacCormack’s SHAME SHAME, Go Away Illustrates the Invisible

By Rebecca Casalino

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+The Unexpected Subject: 1978 Art and Feminism in Italy

By Gabrielle Moser

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+The Power is in the Black Gaze: Out of Many

By Nya Lewis

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+Mes Beaux Enfants et Autres Anamolies by Montserrat Duran Muntadas

By Vania Djelani

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+Queer Identities at I.C. Contemporary

By Rebecca Casalino

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+Impenetrable Intimacies: the body as a fever dream

By Dana Snow

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+The Shrugging Lady Emoji and Russna Kaur’s Abstractions

By Ada Dragomir

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+Celebrating the Work: Marlene Yuen at grunt gallery

By EA Douglas

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