+Of Colour by Katherine Agyemaa Agard
By Margaryta Golovchenko
+Migueltzinta C. Solís’s “The Gay Villain Rides Again”
By Lauren Gabrielle Fournier
+Jess MacCormack’s SHAME SHAME, Go Away Illustrates the Invisible
By Rebecca Casalino
+The Unexpected Subject: 1978 Art and Feminism in Italy
By Gabrielle Moser
+The Power is in the Black Gaze: Out of Many
By Nya Lewis
+Mes Beaux Enfants et Autres Anamolies by Montserrat Duran Muntadas
By Vania Djelani
+Queer Identities at I.C. Contemporary
By Rebecca Casalino
+Impenetrable Intimacies: the body as a fever dream
By Dana Snow
+The Shrugging Lady Emoji and Russna Kaur’s Abstractions
By Ada Dragomir
+Celebrating the Work: Marlene Yuen at grunt gallery
By EA Douglas
+On God’s Own Country
By Harper Wellman
+THIS IS GREAT MATERIAL: Rearranging Remnants for Resiliency
By Ella Adkins
+Contaminating states: Sophie Cundale’s The Near Room
By Kit Edwards
+LOVE MY DYSFUNCTIONS by Rea Sweets
By Adele Lukusa
+Complicated Signs: Marianne Nicolson in Transits and Returns
By Ada Dragomir
+To Play in the Face of Certain Defeat by Esmaa Mohamoud
+Colour and Commodity: Marilyn by Sara Cwynar
By Adi Berardini
+Mama Cash Feminist Art Festival
By Chloe Hyman
