+On God’s Own Country
By Harper Wellman
+THIS IS GREAT MATERIAL: Rearranging Remnants for Resiliency
By Ella Adkins
+Contaminating states: Sophie Cundale’s The Near Room
By Kit Edwards
+LOVE MY DYSFUNCTIONS by Rea Sweets
By Adele Lukusa
+Complicated Signs: Marianne Nicolson in Transits and Returns
By Ada Dragomir
+To Play in the Face of Certain Defeat by Esmaa Mohamoud
+Colour and Commodity: Marilyn by Sara Cwynar
By Adi Berardini
+Mama Cash Feminist Art Festival
By Chloe Hyman
+Pleasure Prospects: Counter-Prospective Feminist Futures
By Courtney Miller
+Emotional Objects: Contemporary Textiles and Queered Femininity
By Rebecca Casalino
+Dark Angels and Amazons: Natasha Wright at SFA Projects
By Nancy Elsamanoudi
+Sarah Mihara Creagen: The Sisters’ Fart Corner
By Penelope Smart
+Colour, Perception, and Affect: Christina Mackie
By Helena Wadsley
+Orienta 7: Mapping the City in Unexpected Ways
By Chourouq Nasri
+Natalia Goncharova in Florence: A Woman of the Avant-Garde
By Jennifer Griffiths
+Tear of Nature: Ajuan Song at Manhattan Graphics Center
By Chiara Mannarino
+Early Riser: A Perspective on Marclay’s the Clock
By EA Douglas
+Miss Meatface: Kat Toronto at The Untitled Space
By Chloe Hyman
