Reviews

+On God’s Own Country

By Harper Wellman

Gods-own-Country-3-1-1

+THIS IS GREAT MATERIAL: Rearranging Remnants for Resiliency

By Ella Adkins

TamaraBond_A Pearl in N's Hair

+Contaminating states: Sophie Cundale’s The Near Room

By Kit Edwards

Sophie-Cundale-The-Near-2

+LOVE MY DYSFUNCTIONS by Rea Sweets

By Adele Lukusa

LMD_PORTRAITS-8277

+Complicated Signs: Marianne Nicolson in Transits and Returns

By Ada Dragomir

Marianne Nicolson_OhhowIlongforhome

+To Play in the Face of Certain Defeat by Esmaa Mohamoud

DSC01820 (1)

+Colour and Commodity: Marilyn by Sara Cwynar

By Adi Berardini

SaraCwynar_redlips

+Mama Cash Feminist Art Festival

By Chloe Hyman

Fearless Collective 2, Photo by ClaireBontje

+Pleasure Prospects: Counter-Prospective Feminist Futures

By Courtney Miller

TBA_NewMineralCollective_259LakeShore_02

+Emotional Objects: Contemporary Textiles and Queered Femininity

By Rebecca Casalino

Hannah Zbitnew with Lisette Markiewicz, The Absence of the Witch Doesn’t Negate the Spell, 2018. Photo credit_ Polina Teif

+Dark Angels and Amazons: Natasha Wright at SFA Projects

By Nancy Elsamanoudi

fullsizeoutput_2d

+Sarah Mihara Creagen: The Sisters’ Fart Corner

By Penelope Smart

_GLH9816_Photo Guy LHeureux

+Colour, Perception, and Affect: Christina Mackie

By Helena Wadsley

fullsizeoutput_a

+Orienta 7: Mapping the City in Unexpected Ways

By Chourouq Nasri

Hafid Badri

+Natalia Goncharova in Florence: A Woman of the Avant-Garde

By Jennifer Griffiths

3.17

+Tear of Nature: Ajuan Song at Manhattan Graphics Center

By Chiara Mannarino

unnamed

+Early Riser: A Perspective on Marclay’s the Clock

By EA Douglas

Christian Marclay The Clock 2010 (high res) 2

+Miss Meatface: Kat Toronto at The Untitled Space

By Chloe Hyman

Kat-Toronto-Miss-Meatface-No_Time-_For_Tears-The-Untitled-Space copy

<< Back Next>>